Here comes 48 Hour Magazine, "a raucous experiment in using new tools to erase media's old limits". Brought to you by the talented Heather Powazek Champ and Derek Powazek, amongst others. Check it out. 4.28

Great collection of Kodachromes over on ACL. Via Coudal from current guest editors Northcoast Zeitgeist. 4.27

Traveling earlier this month, I managed to overlook this great collection of Alvin Lustig miscellany. There's a nice list of Lustig linkage at the end, too. 4.27

Love this album package design. 4.27

Grain Edit interviews Mike Perry of the excellent Mike Perry Studio and the very interesting, Hand Job: A Catalog of Type. 4.26

The Boulder Bike Story. 4.25

Thinking about Karel Martens today. Images from Printed Matter, the website of Werkplaats Typografie, a Typotheque article, and a Grafik Magazine interview. 4.22

A scaly logotype revision for Luther's in Austin, Texas, courtesy of House Industries. Can't believe I missed their shindig at Luther's by a mere couple of days. 4.21

Armed with his camera and a case of scotch – to open doors and loosen tongues – Morse compiled a quietly intense record of an icon's passing. The Day Einstein Died, in images. 4.21

The Eskimo Nebula. 4.21

"Look at them! They're like goldfish out there!" "He's dancing on his pedals in a most immodest way!" "The pirate is about to board the ship." After watching some great Classics races this season, it's time to brush up on my Phil Liggett-isms for the coming Tours. Todd Carrier's Phil Liggett Fan Page has a rundown of some great ones. 4.20

Amy at Aqua-Velvet has been posting up her favourites from the excellent and sometimes overwhelming World of Logotypes. Here's her Part 1, Part 2, Part 3, and most recently Part 4. 4.12

"It’s the ability to pause, to reflect, and relax, to let the mind wander, that’s perhaps the true sign of time mastery." In praise of nothingness. 4.12

A number of conversations and interviews with Frank Gehry, brought together by Edward Lifson. Frank Gehry, then and now. 4.9

"It relies on the assumption that physical possession of an object as a requirement for an acquisition is no longer necessary, and therefore it sets curators free to tag the world and acknowledge things that “cannot be had." The @ at MOMA. 4.9

Gorgeous landscapes by Sacha Heron. 4.8

More interestingness, albeit bleak, from Eric Tabuchi: Twentysix Abandoned Gasoline Stations. 4.8

John Gruber has about 7300 words to say about the iPad. 4.7

Pictory's London Showcase has been posted. 4.7

Is Archer’s Use on Target? A look at H&FJ's Archer and its adventures out in the wild. 4.7

Alphabet Truck, Vol. 2 looks every bit as well done as the original Alphabet Truck series. Via The Post Family. 4.6

Penmanship of The XVI, XVII & XVIIIth Centuries. 4.5

Today is Championship day for TMN's 2010 Tournament of Books. 4.5

Lovely series of Knoll Ads from the early-50's and mid-60's. 4.5

Underground Links Revisited: The London Tube Map Archive. 4.2

Underground Links Revisited: London Tube map with walklines. 4.2

Underground Links Revisited: A transit map of the world's transit systems. 4.2

"I am a lead pencil—the ordinary wooden pencil familiar to all boys and girls and adults who can read and write." An essay on the pencil, I, Pencil, by Leonard E. Read. 4.1

Vintage crayons, paints, and art supplies. Gorgeous photoset of vintage graphics and vintage colour. 4.1